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Time is too short to forget what has passed,
Times is too wide to cross and come back,
Speaking words that remain un- spoken,
Dreaming the dreams that you have woven,
All I need is time,
All we need is time.
Always reading backwards to learn something new,
It seems like the words always circle back to you,
Reading words that remain un-spoken,
Dreaming the dreams that you have woven,
All we need is time,
All we need is time.
The shoes I have chosen are void of a path,
For I have traveled that highway and I almost made it back,
The roads less traveled and some that I made,
Are a part of that person that you once embraced,
All I need is time,
All I need is time.
Writing words that remain un-spoken,
Dreaming the dreams that you have woven,
I’ve enjoyed this time,
Always love your time.
Within two dimensions there hides a third,
ones true reflections are observed,
no lies exist when a visions heard,
for there is no death in a canvas world.
Hearts tormented lie in a pool,
eventually sinking with the other fools,
still grasping for what caused their demise,
love and passion without cold and wise.
Scratching emotions onto a page,
unrestricted by conformity’s rage,
colors bloom in black and gray,
attempting to express what you cannot say.
Within these visions lies a void,
for interpretations often destroy,
desires to express instead of hide,
the true relevance of what’s been confided.
Within two dimensions there dwells a third,
only acknowledged by the few absurd,
dwelling in expression not illusive needs,
never to capture the eyes of what seems.
I arrived beneath a gray Ohio sky
embraced by bitter February arms
I was the only to pass through that door
and last to carry on the name
but I paled in her sun of expectation
and I had to create my own.
I’d shown my own sun like she taught me
away from the snow and the glowing autumn trees
into a blue wonder of sand and seas
into a tidal mass of humanity
where nothing is stone
where nowhere is home.
I became fed by a space where my place doesn’t matter
an electrical grid being the ambilical to the gathering
where I drowned in hours of diversion
where I gained monetarily from the conversions
but when I looked to show her, she was gone
under a May rain from the gray Ohio sky.
James G Conzett 06/01/2011
Shell Of Me
I watch as they burn their bridges from childhood to the pain of reality.
Though not up to me to mediate anymore, I do stand on the opposite cliff.
My job is complete as I was the one to incite the striking of the match.
Not too soon as I have nothing left offer, nothing left to steal, nothing left to violate, no advice to be heard, no lessons in the agenda and far be it, another match.
While my losses are seemingly always anothers gain, I have no time left to recover what I have lost. Not monetary losses but, heart, soul and whatever lurks beneath the calluses that have done well to suppress what I have found destructive or emotionally distressing. Built over time I do find it unfortunate that I am now actually incapable of empathy or strong emotions, except rage, for only then am I heard.
Existing where recognition of my achievements have gone even more un-noticed than my presence, I realize I probably should have passed just after completing them.
The question of continuance is always the thought that remains after the rest are truncated as that query is always first out.
A splatter of liquid does remain one dimensional except to the ones who assign meaning to the patterns. To them, colors bloom in black and gray and dimension is just a matter of perspective. That was once me, eyes wide open and a heart of the thinnest glass open to be shattered by a single glance.
What has become of that person is a text that will remain unwritten. Although what I have experienced is severe to most, the mold that formed the shell of me would pale in comparison to millions out there who have suffered far worse. The wretched and debouched or the salt on the food of the obese? There is far more salt and I will refrain from comparing notes with those who have nothing to sprinkle it upon.
So, I am held up in this shack until the bigger guns come take me out. However I believe they will fail and I will become my own demise.
James G. Conzett
6.1 grams of pure 999 fine silver with gold leaf inlay and black powder coat eyes.
My first frog! This one was a custom request and I was challenged as to how to design. “Can you make me a frog” is a pretty broad statement and there are so many ways to run with the design.
This incredible feat of sand casting was a challenge for sure. Getting silver to flow into the legs properly requires a whole lot of vent cuts, I heated the silver a little more than usual and poured as fast as I could. I was ecstatic when I opened the mold to discover there was a result I could actually shape into a nice piece of jewelry.
I made a small rectangular cut on the head, inlayed gold leaf and sealed with crystal clear then, polished to a seamless transition and shine.
I could not figure out what to do with the eyes. I considered drilling them out and inserting black onyx but, too much for such a small dot which, will most likely go unnoticed so, I used powder coat mixed with crystal clear and boy, did that work well because the eyes pop well next to the gold and they are smooth and shiny like the rest of the piece. I am very proud of this item.
Here is a pic I took with the frog on a leaf randomly picked from outside my shop.
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Here is the completed piece a year later. Sorry it took so long.
The picture is pretty bad, done with a cell phone as an afterthought.
The eyes are gold leaf with black onyx pupils.
The piece ended up being about 8 grams of .9999 fine silver.
This owl became the property of my wife when she first set eyes on it.
Just contact me if you want one!
I’ll make you one for $85 which, is 1/3 the cost of a mass produced piece of the same size in a store or even ETSY.
This takes me about 11 hours to make and yours will be unique like each of my works.
Thanks for reading.
Here are some pictures I took of the rocks I am using to create my jewelry and art.
|Lapis lazuli is a deep blue semi-precious stone that has been prized since antiquity for its intense color.
Lapis lazuli was being mined in the Sar-i Sang mines and in other mines in the Badakhshan province in northeast Afghanistan as early as the 7th millennium BC, Lapis beads have been found at neolithic burials in Mehrgarh, the Caucasus, and even as far from Afghanistan as Mauritania. It was used for the eyebrows on the funeral mask of King Tutankhamun (1341–1323 BC).
At the end of the Middle Ages, lapis lazuli began to be exported to Europe, where it was ground into powder and made into ultramarine, the finest and most expensive of all blue pigments. It was used by the most important artists of the Renaissance and Baroque, including Masaccio, Perugino, Titian and Vermeer, and was often reserved for the clothing of the central figure of the painting, especially the Virgin Mary.
Lapis Lazuli is one of the most sought after stones in use since man’s history began. Its deep, celestial blue remains the symbol of royalty and honor, gods and power, spirit and vision. It is a universal symbol of wisdom and truth.
|Blue Lace Agate is a cryptocrystalline variety of silica, chiefly chalcedony, characterised by its fineness of grain and brightness of color. Although agates may be found in various kinds of rock, they are classically associated with volcanic rocks and can be common in certain metamorphic rocks.
The stone was given its name by Theophrastus, a Greek philosopher and naturalist, who discovered the stone along the shore line of the river Achates sometime between the 4th and 3rd centuries BC. Colorful agates and other chalcedonies were obtained over 3,000 years ago from the Achates River, now called Dirillo, in Sicily.
Agate is one of the most common materials used in the art of hardstone carving, and has been recovered at a number of ancient sites, indicating its widespread use in the ancient world; for example, archaeological recovery at the Knossos site on Crete illustrates its role in Bronze Age Minoan culture.
Blue Lace Agate has a soft, soothing elegance; like sky-blue waters released from winter’s grasp. Its graceful, circular design has a stimulating, positive effect on emotions and attitude. It is not a stone of protection, but rather of encouragement and support. Its circular flowing energy calms, uplifts and elevates.
|Malachite is a copper carbonate hydroxide mineral. This opaque, green banded mineral crystallizes in the monoclinic crystal system, and most often forms botryoidal, fibrous, or stalagmitic masses, in fractures and spaces, deep underground, where the water table and hydrothermal fluids provide the means for chemical precipitation. Individual crystals are rare but do occur as slender to acicular prisms. Pseudomorphs after more tabular or blocky azurite crystals also occur. Typical malachite is laminated and whether or not microbes intervene in its formation is unknown.
Malachite was used as a mineral pigment in green paints from antiquity until about 1800. The pigment is moderately lightfast, very sensitive to acids, and varying in color. The natural form was being replaced by its synthetic form, verditer, among other synthetic greens. It is also used for decorative purposes, such as in the Malachite Room in the Hermitage, which features a huge malachite vase, and the Malachite Room in Castillo de Chapultepec in Mexico City. “The Tazza”, a large malachite vase, one of the largest pieces of malachite in North America and a gift from Tsar Nicholas II, stands as the focal point in the center of the room of Linda Hall Library.
Archeological evidence indicates that the mineral has been mined and smelted at Timna Valley in Israel for over 3,000 years. Since then, malachite has been used as both an ornamental stone and as a gemstone.
The mineral was given this name due to its resemblance to the leaves of the Mallow plant. Malachite personifies the deep healing green of nature and represents the innate beauty of flowers, trees, roots and plants. It manifests a deep Devic green which rules the material plane. It is a Stone of Transformation, assisting one in changing situations and providing for spiritual growth. It heals on physical and emotional levels, drawing out impurities and stimulating the Life Force throughout the aura and body.
|Opalite or (Dendritic Opal) UNDER RESEARCH MAY BE Violet Flame Opal Or Opalized Flourite.
A planetary record keeper. with the markings on it that look like trees or shrubs. Is said to enhance the achievement of personal goals, the acquisition of prosperity, the healing of wounds from past lives, the ability to communicate with nature spirits and the grounding of one’s spiritual energies within the physical body. Promotes growth spiritually and physically, aligns physical and etheric bodies.
|Red Coral Precious coral or red coral is the common name given to Corallium rubrum and several related species of marine coral. The distinguishing characteristic of precious corals is their durable and intensely colored red or pink skeleton, which is used for making jewelry.
Red corals grow on rocky seabottom with low sedimentation, typically in dark environments—either in the depths or in dark caverns or crevices. The original species, C. rubrum (formerly Gorgonia nobilis), is found mainly in the Mediterranean Sea. It grows at depths from 10 to 300 meters below sea level. In the underwater caves of Alghero, Sardinia (the “Coral Riviera”) it grows at depth from 4 to 35 meters. The same species is also found at Atlantic sites near the Strait of Gibraltar, at the Cape Verde Islands and off the coast of Southern Portugal. Other Corallium species are native to the western Pacific, notably around Japan (Corallium japonicum) and Taiwan; these occur at depths of 350 to 1500 meters below sea level in areas with strong currents.
Records dating back thousands of years confirm that coral was used in decorative art objects. It was believed to prevent ill fortune and offer protection from skin disease when worn as a necklace. Dreams about coral are believed to foretell recovery from a long illness. Ancients believed that Mars was composed of red coral. Coral symbolizes life and blood force energy. Dark red coral is used for heating and stimulating the bloodstream. Pink shades restore harmony to the heart. It is used as an aid to depression, lethargy or deficient nutrition.
|Carnelian (also spelled cornelian aka The Singers Stone) is a brownish-red mineral which is commonly used as a semi-precious gemstone. Similar to carnelian is sard, which is generally harder and darker (the difference is not rigidly defined, and the two names are often used interchangeably). Both carnelian and sard are varieties of the silica mineral chalcedony colored by impurities of iron oxide.
In antiquity, as well as today, Carnelian is believed to help timid speakers become both eloquent and bold. [Simmons, 92] Ancient Warriors wore Carnelian around their neck for courage and physical power to conquer their enemies. In Egypt it was worn by master architects to show their rank of builder, and alchemists of the Middle Ages used it as a boiling stone to activate the energy of other Chalcedonies. As the first stone in the breastplate of the High Priest, it signified the blood of the martyrs [Kunz, 303, 305], and was once believed to prevent illness and the Plague.
Carnelian clarifies the voice. It is the Singer’s Stone. [Megemont, 46] It also promotes confidence for performances on stage or in live media.
|Tiger’s Eye (or Tiger eye) is a chatoyant gemstone that is usually a metamorphic rock that is a golden to red-brown color, with a silky luster. A member of the quartz group, it is a classic example of pseudomorphous replacement by silica of fibrous crocidolite (blue asbestos). An incompletely silicified blue variant is called Hawk’s eye.
The gems are usually cut en cabochon in order to best display their chatoyancy. Red stones are brought about through gentle heat treatment. Dark stones have had their colors improved and been artificially lightened using nitric acid treatments.
Honey-colored stones have been used to imitate the much higher valued cat’s eye chrysoberyl (cymophane), but the overall effect is unconvincing. Artificial fiberoptic glass is a common imitation of tiger’s eye, and is produced in a wide range of colors.
A feel better, get up and go stone, Tiger’s Eye is also an excellent protective stone against any kind of negativity. It diverts unwanted energy away from you, sending it back to its source. Tigers Eye will also confuse your opposition. In addition to this, it is also a good grounding stone and a very balancing stone.
|Jasper is an aggregate of microquartz and/or chalcedony and other mineral phases, is an opaque, impure variety of silica, usually red, yellow, brown or green in color; and rarely blue. The common red color is due to iron(III) inclusions. The mineral aggregate breaks with a smooth surface and is used for ornamentation or as a gemstone. It can be highly polished and is used for vases, seals, and snuff boxes. The specific gravity of jasper is typically 2.5 to 2.9. Along with Heliotrope (bloodstone), jasper (green with red spots) is one of the traditional birthstones for March. Jaspilite is a banded iron formation rock that often has distinctive bands of jasper.
The name means “spotted or speckled stone”.
Green jasper was used to make bow drills in Mehrgarh between 4th and 5th millennium BC. Jasper is known to have been a favorite gem in the ancient world; its name can be traced back in Arabic, Persian, Hebrew, Assyrian, Greek and Latin. On Minoan Crete, jasper was carved to produce seals circa 1800 BC, as evidenced by archaeological recoveries at the palace of Knossos.
Although the term jasper is now restricted to opaque quartz, the ancient iaspis was a stone of considerable translucency including nephrite. The jasper of antiquity was in many cases distinctly green, for it is often compared to the emerald and other green objects. Jasper is referred to in the Niebelungenlied as being clear and green. Probably the jasper of the ancients included stones which would now be classed as chalcedony, and the emerald-like jasper may have been akin to the modern chrysoprase. The Hebrew word yushphah may have designated a green jasper. Flinders Petrie suggested that the odem, the first stone on the High Priest’s breastplate, was a red jasper, whilst tarshish, the tenth stone, may have been a yellow jasper.
Jaspers have been revered by ancient peoples and civilizations throughout the world as sacred and powerful stones of protection, for both the physical and spiritual realm. They were known as the “rain bringers” and nurturers, healers of the spirit and stones of courage and wisdom. The name can be traced back in Arabic, Persian, Hebrew, Assyrian, Greek and Latin, and the virtues of Jaspers have been extolled throughout the ages by the most noted physicians, magicians, poets, scientists, lapidaries and scholars.